Liang Hao (梁浩) is a young artist from Canton, China in 1988. He is obsessed with painting hands and their reflection. It unfolds the space and opens the imagination on canvas. When you look at Liang Hao's paintings, you get a sense of emptiness, joy, and slight frustration. There’s something off that you can’t quite put a finger on, like you’re in some kind of clinical dream.

The bright and even canvas creates a sterile plane while the luminescent objects seems to melt into the frame. A relationship between concrete and abstract emerges. Heavily inspired by baroque philosophy Liang delves into philosopher Gilles Deleuze’s explication of The Fold. Deleuze posits that our current reality is constantly becoming, or coming into being, therefore folds between the different expressions of the present contain unique reflections of reality.

Recent solo include: Unfolding into the Expanse, 10 Chancery Lane Gallery, Hong Kong 2020; A Kind of Gaze, line gallery Shanghai, 2019; Image and Hunting ground, Line Gallery, Beijing, 2017; Time is stopping in front of your eyebrows, Line Gallery, Beijing, 2015; Lianghao’s project, OMI, New York, 2016. The institutional shows he once participated include: Ming Sheng Museum, Shanghai; Today Museum, Beijing; CAFA Art Museum. Beijing; ON SPACE; Offshore Project Space, Iceland; Global Impression, Berlin. Artist residencies include: Art OMI international Artist Residency, New York, US, 2016; Island Iceland offshore project, Seydisfjordur, Iceland. He was nominated twice for the John Moores Painting prize.