Dinh Q. Lê was born in Vietnam and immigrated to the US as a refugee at the end of the Vietnam war. He created a process of weaving photographs collaging...
Dinh Q. Lê was born in Vietnam and immigrated to the US as a refugee at the end of the Vietnam war. He created a process of weaving photographs collaging imagery and ideas which have become his most well-known media, however, he works in multiple disciplines. Dinh Q. Lê is not your typical photographer. For him, images represent a means of questioning, splicing and transforming. In this newest series of works that are now showing at the Musée Quai Branly until Nov. 2022, Lê focusses on the failings of collective perceptions about Cambodia. The works combine the imagery of the victims of the Khmer Rouge regime (1975-1979) with the images found in the Palace Museum of the epic good vs. evil tale, Reamker (the Ramayana) which offers a glimpse into the richness of Cambodian culture. Lê layers into his photo-woven collages the image of one of the publicised photographs of the victims from the Tuol Sleng prison. However, he invites the viewer to look beyond the association of this portrait that attributes the only value of this person's life being that in their last moments. The rich thousand-year Cambodian history is indeed a part of the individuals in the Tuol Sleng prison portraits . Lê assimilates his own refugee experience of being defined by the Vietnam war and the absence of knowledge and understanding of Vietnam's deep history.
Dinh Q. Lê is the most widely recognised Vietnamese artist with exhibitions and collections at MoMA, New York, The Mori Museum and The Hiroshima Museum of Contemporary Art, Japan, The San Jose Museum of Art,The Singapore Art Museum, SF MoMA and currently at The Musee Quai Branly, Paris, among others. He has been awarded the Ballagio Creative Arts Fellowship from the Rockefeller Foundation and the Visual Art Laureate, Prince Claus Fund, The Netherlands. He has participated in the 50th Venice Biennale and dOCUMENTA(13), among others.
Dinh Q. Lê was born in Vietnam and immigrated
to the US as a refugee at the end of the Vietnam war. He created a process of
weaving photographs collaging imagery and ideas which have become his most
well-known media,
however, he works in multiple disciplines. Dinh Q. Lê is not your typical photographer.
For him, images represent a means of questioning, splicing and transforming. In
this newest series of works, that are now showing at the Musée Quai
Branly
until Nov. 2022, Lê focusses on the failings of collective perceptions about
Cambodia. The works combine the imagery of the victims of the Khmer Rouge
regime (1975-1979) with a Tuol Sleng (S21) prison photo combined with the
images found in the Palace Museum of the epic, good vs. evil, tale The Reamker (the
Ramayana) which offers a glimpse into the richness of Cambodian culture. Lê
layers into his photo-woven collages the image of one of the mug shots of the
victims from the Tuol Sleng prison. However, he invites the viewer to look
beyond the association of this portrait that attributes the only value of this
person's life being that in their last moments. The rich thousand-year
Cambodian history is indeed a part of the individuals in the Tuol Sleng prison
portraits . Lê assimilates his own refugee experience of being defined by the
Vietnam war and the absence of knowledge and understanding of Vietnam's deep
history. Intertwining the Cambodian narrative is personal to Lê, whose family
is from the Vietnam/Cambodia border town of HaTien. The Khmer Rouge invasion and massacre
of Ha Tien in 1978, eventually pushed his family to leave Vietnam and seek
refuge aboard, leaving an indelible mark on him. Which led to his
continual interest in Cambodia's Khmer Rouge history.
Dinh Q. Lê is the most widely recognised
Vietnamese artist with exhibitions and collections at MoMA, New York, The Mori
Museum and The Hiroshima Museum of Contemporary Art, Japan, The San Jose Museum
of Art,The
Singapore Art Museum, San Francisco MoMA and currently at The Musee Quai
Branly,
Paris, among others. He has been awarded the Ballagio Creative Arts Fellowship from the
Rockefeller Foundation and the Visual Art Laureate, Prince Claus Fund, The
Netherlands. He has participated in the 50th Venice Biennale and dOCUMENTA(13),
among others.